Lenny Kravitz, O2 Academy, Newcastle

Connor Belshaw, Evening Chronicle

JUST two weeks since the Sunderland Stadium Of Light hosted Brit-pop luminaries Oasis, Newcastle’s own O2 Academy has brought another rock icon to the region in the form of New York born singer-songwriter, multi-instrumentalist and producer Lenny Kravitz, one of the few left of the old breed of rock ‘n’ roll gods.

Supported by Austrian songstress Anna F and her rather expendable backing band, think Bez but much more attractive, Kravitz managed to resurrect the images of the sensational vocal performances that earned him four Grammy’s between 1998 and 2001, busting out old classics with the usual gusto and class.

This was a highly refined and calculated exhibition from an artist bursting with style and charisma.

Anna F started the night in relaxing fashion. Her take on bluesy rock ‘n’ roll is both charming and unexpected and, with vocals reminiscent of a young Alanis Morissette, it is clear that the Austrian will find UK chart success.

However, in order to make the leap from indie-folk also-ran to pop goddess, she would do well the rid herself of the terrible burden that is her live band. They are a group of perfectly qualified musicians, no doubt, but a group that only serves to clutter the sound of Anna’s crisp vocals and well-crafted melodies.

In stark contrast to Anna F’s relative failings, Kravitz’s backing band pull of a spectacular performance and, despite his natural showmanship and flair, it is clear that Lenny could not survive without such spirited performances from his band, with a three-minute sax solo a particular highlight.

Kravitz and the band performed such classics as American Woman and Fly Away with poise and precision and, ever the showman, he never hesitated to involve his adoring crowd, even taking photographs and conversing with fans mid-set.

Lenny Kravitz is an artist who loves his fans, and he showed that last night with a sparkling performance. To anyone who thought Lenny Kravitz’s career was drawing to a close, he has just one thing to say: "Baby, it ain’t over ’till it’s over."